Practice
Why we still hand-draft every concept sketch
The case for slowing down the earliest stage of design, before software makes decisions look more final than they are.
Architecture & interior design
Marrow & Stone is a 62-person studio in Lisbon working across residential, cultural, and hospitality projects. Every commission starts from material honesty and the specifics of its site.
Trusted by teams at
What we design
From first sketch to final punch list, our studio stays involved through construction. We don't hand off drawings and disappear.
Private houses designed around how a family lives day to day, rather than a rendering that photographs well once.
Museums, libraries, and community spaces built to serve a public for generations, not a single opening night.
Hotels and restaurants where the architecture and the interior are designed as one continuous idea.
Bringing historic and industrial structures back into use without erasing what made them worth saving.
Site-scale planning for mixed-use developments, balancing density with genuine public space.
On-site supervision through the full build, because a drawing is only a promise until it's built correctly.
Selected projects
Each project listed here was occupied and photographed at least two years after completion. We'd rather show you how a building ages than how it looks empty on opening day.
Cultural institution
A contemporary art foundation built into a former salt warehouse on the Lisbon waterfront, preserving the original timber structure as the primary architectural language.
210Kvisitors in first year, triple initial projection
Residential development
A 24-unit residential development in the Alentejo countryside, oriented entirely around passive cooling and existing cork oak trees on the site.
100%of units sold before completion
About the studio
Marrow & Stone was founded in 2008 by Inês Cabral after a decade working on cultural buildings across Europe. The studio has grown slowly on purpose: every project is still reviewed personally by a principal architect instead of being delegated to a project team working from a brief.
Inês Cabral
Founding Principal
Tomás Ferreira
Principal, Cultural Projects
Beatriz Nunes
Director of Interiors
Rui Santana
Director of Construction
“Most architects lose interest the moment permitting is done. Inês and her team were on site every week until the last light fixture was installed.”
Rafael Sequeira
Managing Director, Sequeira Development
“We asked for a museum that would still feel considered in fifty years. That's exactly what we got, and it photographs better now than the day it opened.”
Marta Coutinho
Director, Fundação Marés
“Every unit sold off the plans before we broke ground, largely because the renderings matched exactly what got built. That never happens.”
Duarte Lima
Development Partner, Quinta Real Estate
From the studio
Practice
The case for slowing down the earliest stage of design, before software makes decisions look more final than they are.
Materials
How material choice and detailing change when you design for decades of weathering instead of an opening photograph.
Adaptive reuse
A candid look at the budget and timeline tradeoffs of preserving existing structure, drawn from three recent projects.
The best projects start with a conversation about the place, not a program. Reach out with what you're working with.